Musique et Aventure 2009

July 19th – August 2nd 2009

‘Concerts and Kayaks, Sunshine and Samba, Practice and Picnics!  For the third year running, Musique et Aventure makes a big impression’

Musique et Aventure, the academy’s summer music course, ran for two weeks over the summer holidays. This year the course was attended by seventy-eight young musicians and by all accounts was a resounding success.  Eight concerts took place at various locations including Mont Orgueil Castle’s Medieval Great Hall and Durrell’s Manor Courtyard and two outstanding guest ensembles, Kosmos and Helix, joined the teaching faculty to motivate and inspire the course participants.

The course continued to expand its links with overseas, and the large body of local students was joined by over twenty children attending from France, the UK, and even the US. Ten of these children were assisted over to the island through Condor Ferries’ sponsorship of the course, enabling them to travel completely free of charge. The Jersey Arts Trust also continued their sponsorship of the course.

Musique et Aventure is open to young musicians aged 10-17 of any level, and combines mornings of intensive musical tuition with afternoons of outdoor activities. Visit for further information.

Photo Diary – Week One

Helix leading a Samba Workshop

Deep in concentration!

A happy performance!

Another happy performance!

Lawn games – Home Run!

The audience awaits at Mont Orgueil Castle’s Medieval Great Hall

Blo-carting – hold tight!

Photo Diary – Week Two

An evening ‘sing-a-long’

Kosmos performing

A relaxing dip in the pool

Kayak heroes!

Who’s in the sand?!

Day at Durrell – don’t get too close!

The Week Two Gang!

Liberation International Music Festival


May 8th -10th 2009

Local musical charity Music In Action, along with the Jersey Academy of Music and a group of the UK’s leading musicians launched the ‘Liberation International Music Festival’. The festival was blessed with glorious sunshine, and unique events such as the Fete de la Musique at Mont Orgueil Castle, Jazz at Elizabeth Castle, and the Yacht Concert were combined with three Opera House concerts.  The festival involved hundreds of local performers alongside a whole host of international artistes including Nicola Benedetti, the Sitkovetsky Trio, Carlos Bonell, Claire Martin, and even Pink Floyd’s Guy Pratt.

At the heart of the festival a series of educational projects reached out islandwide, involving numerous choirs and young musicians:

Chamber Music Project
The Chamber Music Project led to the formation of several new ensembles of young string players and pianists, including duos, trios, and quartets. Following weeks of rehearsals, during the festival itself they received on-stage tuition from international artistes Nicola Benedetti and the Sitkovetsky Trio.

Choral Project
The Choral Project took place at the Jersey Opera House. Royal Opera House star Janet Shell was joined by outstanding young soprano Maya Sapone to lead a full day of workshops with local choirs, including Concordia, the Progressive School of Music, La Moye Primary School, and the Musical Originals Singers.

Jersey Choirs Night
The culmination of both these projects, the Jersey Choirs Night, took place on the evening of Sunday 10th May at the Jersey Opera House, bringing the whole festival to a rousing finale. This variety concert featured performances from each of the participating choirs and young musicians, concluding with a performance of Derek Lawrence’s Liberation Sing-a-Long, a medley of popular wartime melodies sung by the combined choirs and audience.

Young musicians Piano Trio performing at the Jersey Choirs Night

Young musicians platform at the Mont Orgueil Fete de la Musique

Concordia Choir performing at the Jersey Choirs Night

The Sitkovetsky Trio performing at the Jersey Opera House

Nicola Benedetti at the Mont Orgueil Fete de la Musique


by Martin Anderson

The First Jersey Liberation Music Festival: Jersey, 8th–10th May 2009

At this time of year the inhabitants of Jersey – the Jersiais, as they call themselves – make much of the fact that the Channel Islands were the only part of the British Isles to be occupied during the Second World War: with the French coast within sight on a clear day, Churchill reckoned they were indefensible and had no choice but to leave them to their fate. Liberation came only on 9 May 1945, by when many families had been separated for years, and the handful of Jews on the Channel Islands long since been shunted off to the death-camps – it’s plain that, 64 years later, the Liberation still carries considerable emotional weight.

I had heard that Jersey – which I visited for the first time this May – was a place of paradoxes. Highest density of Aston Martin owners on the planet, with a top speed of 40mph anywhere on the island. Sophisticated financial sector serving the super-rich, with its independence anchored in a decision taken by King John. That sort of thing. So it’s another of Jersey’s paradoxes that the First Jersey Liberation Music Festival should take place only in 2009 – as with the invention of the zip or Velcro, it is often down to a single person to think of the obvious before it becomes self-evident, and to judge from my two days attending the Festival, this weekend does indeed rest on very few shoulders. The classical programming – in the hands of the Chinese-born, London-based pianist Wu Qian – has to be careful to attract listeners for whom it is not part of the daily bread. That requires a lighter touch, and the avoidance of any hint that ‘serious’ music really is serious – and by and large this first festival got the balance right: it found room for a Brahms quartet (Op. 51, No. 2), prefaced by Halvorsen and Dvořák, in a concert in a marquee on the battlements of the spectacular Mont Orgueil Castle – with hog-roast rolls on sale from a spit on the other side of the courtyard (very tasty, too) – and for contributions from local amateurs, some two hundred all told, dotted around the Castle in various choirs and bands. In parallel, ex-Pink Floyd bassist Guy Pratt served up fruity indiscretions in his one-man show My Bass and Other Animals in the Opera House (does Madonna really talk like that?)

The musicians – Wu Qian and her colleagues in the Sitkovetsky Trio, Alexander Sitkovetsky and Leonard Elsenbroich; their friends Scots violinist Nicola Benedetti and Polish violist Krzysztof Chorzelski; Guy Pratt – were put straight back to work the next morning, coaching the next generation of colleagues at the newly established Jersey Academy of Music in a palatial building inland from the capital, St Helier. That afternoon the concerts resumed, with soprano Maya Sapone and pianist Tessa Grobel offering amplified Gershwin and Porter, between a big band and a close-harmony group, to a family crowd enjoying ice-creams and more roast hog in Liberation Square. And at the evening’s ‘Gala Concert’ (the context excuses the exaggeration) back in the Opera House the Sitkovetskys and friends presented a user-friendly mix of Smetana, Boccherini (with the guitarist Carlos Bonell) and Schumann (Piano Quintet). Although the programming suggested compromise, the performances didn’t: the music-making was of the same commitment and polish you would expect in more conventional temples of chamber music.

Having to leave the next day, I missed first a ‘Coffee Concert’ where Wu Qian and Tessa Grobel played duets – not just with each other: they called on some of Jersey’s better young pianists to join in; then a jazz special with Claire Martin in Elizabeth Castle; and the most unlikely concert of all, a guitar recital given by Carlos Bonell on the back of a tug in the Bay of Beauport, with his audience bobbing up and down on boats alongside.

The Jersey Liberation Music Festival – this year’s, at least – is not then somewhere, like Kuhmo in Finland, where you go for intensity of musical experience. You’re there to enjoy yourself: Jersey offers an astonish variety of countryscapes, if I may coin the word, with winding country lanes that suggest you’re in Devon, lush vales with Irish quantities of different greens, spectacular sea-views, Mediterranean littoral life, the scene changing with kaleidoscopic variety. The music-making comes as cream on this multi-coloured cake.

This was the first year of the festival, of course, and it’s perhaps a pity that the slightly chaotic enthusiasm that characterised the weekend will probably disappear as the organisation becomes more proficient. What’s especially encouraging is the way that the Festival and the Jersey Academy of Music are working together, pulling Jersey’s younger musicians into the mix. I am told of an active musical life: some fifty concerts a year from visiting musicians, much choral activity, three concerts a year from the Jersey Symphony Orchestra, and thousands of kids learning instruments with local teachers. But it still comes as a surprise – Jersey’s latest paradox, perhaps – to discover that the Jersey Academy of Music was not established years back: a population of 84,000 (many of whom are not strapped for a bob or two – a Jersey bob, one imagines, since the place has its own currency) offers a captive target-group, isolated from mainland distractions. The advent of the Academy and its ability to involve visiting stars in Jersey’s music education suggest that it is about to raise the game. There are plans, too, to convert the chapel in the Academy grounds into a recording studio – and the basement swimming pool and sauna can only increase the attractiveness of the venue. With SkyBe flights to Jersey beginning at around £25, the flow of musicians to the island might be about to increase.

Martin Anderson

Martin Anderson is the founder and owner of Toccata Classics ( a record label launched in 2005 with the express purpose of recording undeservedly neglected music. He is also a  music critic,  writing for a wide range of publications, among them The Independent, Tempo, International Record Review and International Piano in Britain, Fanfare in the USA, Klassiskmusikkmagasin in Norway and Finnish Musical Quarterly.


Madeira tour to Jersey


April 21st-29th 2009

‘Students from the Escola Das Artes, Madeira’s leading music conservatoire, share their expertise with the island’

A group of nine music students and three members of staff from the Escola Das Artes, Funchal, Madeira, were brought over to the island through the academy’s developing Cultural Exchange programme with the island. The conservatoire’s Director Ines Jardim led the group, bringing along a superb violin and cello ensemble entitled ‘Unissono’ and their violin maestro Vladimir Proudnikov.

The Madeiran ensemble visited several of the island’s Primary and Secondary schools including Grainville, Hautlieu, Jersey College for Girls, and St. Michael’s School, to give schools concerts. At Hautlieu School the group also joined side by side with Hautlieu’s young string players for a String Workshop.

The tour also coincided with the Jersey Festival Choir’s concert, enabling the Madeiran students to become members of the Jersey Chamber Orchestra, performing alongside local professional and amateur musicians. The concert included a full performance of Pergolesi’s Stabat Mater, and Mozart’s Piano Concerto in A K414, with young local soloist Aaron Burrows.

‘We have been so warmly looked after in Jersey. We hope to share the expertise of our young musicians and teachers with the island, and will look forward to welcoming Jersey students to Madeira in the near future.’

Ines Jardim

Director, Escola Das Artes, Funchal


Photo Diary

Awaiting the Hautlieu School String Workshop

Performing to Year 8 at Jersey College for Girls

Visiting Mont Orgueil Castle

St. Michael’s School performance

Escola Das Artes Director Ines Jardim with the spring blossoms at Chateau Vermont

Performing to Years 7 and 8 at Grainville

Performing al-fresco at Durrell

In rehearsals with the Jersey Chamber Orchestra, conductor David Lawrence, and local pianist Aaron Burrows

Visiting the War Tunnels

Celebrations with conductor David Lawrence after the Jersey Chamber Orchestra concert with the Jersey Festival Choir

In rehearsals with Imogen Nicholls and the Musical Originals SIngers

After-concert celebrations at the Jersey Academy of Music

Violin teacher Vladimir Proudnikov tackling a spider crab!

Chetham’s School of Music Tour


July 5th – 9th 2008

In the early days of the Chateau Vermont project, one of the first musical activities to take place involved a group of fourteen talented young musicians and three teachers from Chetham’s School of Music, the UK’s leading under-18 music school. This tour was organised by the Jersey Instrumental Service, and centred around the Chethams students working with four island primary schools in the creation of an interactive performance based on Peter and the Wolf. The academy hosted the group and organised various additional musical activities involving local young musicians, culminating in a concert entitled Chethams and Friends, in which several Jersey musicians had the opportunity to join side by side with their UK counterparts.


“I have been really impressed by the enthusiasm and vision that Chris and Emmanuelle have shown towards the Jersey Academy of Music.  The potential to expand the musical learning and experience of the young musicians on the Island is an important one and having worked recently with the Jersey Instrumental Service and the young people of the island, I feel that there exists a healthy approach and sense of collaboration and consideration which will benefit the many aspiring musicians on Jersey”.


Steve Threlfall,

Director of Music,

Chetham’s School of Music

Photo Diary


Chetham’s and Friends Concert

Deep in rehearsals!



Coaching with Steve Threlfall